i’m pretty much laying low this week due to lots of work [yay!] and taking a breather for the slam-packed social calendar coming up next week.
here’s what i’ll be doing
thursday, march 4, 7pmmargo chase: make change lecture at art center, FREE. this is a great chance to hear from an amazing designer and aiga fellow.
other events for this week
friday, march 5, 11am–1:30pmfreedom on the fence at loyola marymount university, FREE. excerpted from aiga los angeles: FREEDOM ON THE FENCE looks at the history of Polish posters and their role in the political and cultural life of Poland. Covering the period from WWII through the fall of Communism, it captures the paradox of how this unique graphic art form flourished within a Communist regime.
saturday, march 6, 10am–12pm biznik educational workshop in burbank, FREE. getting more referrals using social media i’m glad to see more biznik events popping up around los angeles. if you’re interested in learning about social media to build your business, check it out!
this week is on the slower side in terms of running around town. for the most part i’m keeping it local, but there are some great design events happening as well.
here’s what i’ll be doing
eeps, i had to cancel out of everything, due to sickness!
tuesday, february 23, 6:30-9:30pmaiga studio tour at adams/morioka. i can’t make it to this, but i’ve seen them present various times at aiga events, and their work is phenomenal! if you’re working in design and want a look at the studio side of an amazing team, sign up for this studio visit if it’s not full already.
wednesday, february 24, 8:30pm i can’t make it to the M-Z portion of the typographic bike ride but i do suggest it as a fun & educational bike ride about typography and design.
thursday, february 25, 6-9pmstimulatté: coffee & conversation. attn: students! this is a great way to meet and network with other design students around los angeles. check it out!
after a whirlwind of mixers last week, i’ve planned a pretty low-key schedule for socializing for this week. time to switch from networking & promotion to research and work, recharging for events to come.
wednesday, february 17, 5pm ET i’ll be planted on my couch, front & center at my laptop to join in on the live webcast of lemonade. Lemonade is an inspirational film about 16 advertising professionals who lost their jobs and found their calling, encouraging people to listen to that little voice inside their head that asks, “What if?.”
& then at 8:30pm i’m joining in on this awesome typographic bike ride that my friend the royal academy put together. check the full midnight ridazz description, and come along!
thursday, february 18, 7:30pm i’m going to hear marian bantjes talk at art center about reinventing her design practice. event information at aiga los angeles.
other events for this week:
creative circus graduate portfolio review tuesday, february 16, 12-5pm. If you are in the position to hire, or know someone who is, we would love for you to join us or pass this along. Recent Creative Circus graduates of copywriting, art direction and design will be in LA to showcase their work. Savory refreshments will be served and great connections will be made.
2010 one show entertainment awards wednesday, february 17, 6:30-10pm. Our newest event honors creativity in branded entertainment that goes beyond typical product placement and recognizes this rapidly-growing segment in advertising. It also marks the only One Show event that takes place outside of New York City.
gauge presents cynthia murnane thursday, february 18, 7:30-9:30pm. The GAUGE Speaker Series brings design industry professionals to campus to stimulate discussion, inspire excellence and build community among the design students, alumni, faculty and staff of California State University Los Angeles.
[aloud] at the LA central library check out who will be speaking at upcoming [aloud] events! Since the reopening of the Central Library in 1993, the Library Foundation’s award-winning ALOUD at Central Library series has provided the people of Los Angeles and beyond with lectures, readings, performances, and conversations featuring key figures in the arts and humanities, business, politics, and science. These dynamic programs, generally provided free of charge, are designed to stimulate conversation and provide a space for civic dialogue.
i just met with the LA area chamber‘s pillar program, connecting business professionals with schools to enrich and enhance student learning. i have been paired with huntington park high school, which has a business & technical arts division, a well-stocked mac lab, and a few levels of graphic and web design classes.
as a sole-proprietor, i’m excited to put together talking points about what students can expect from an education and career in design, how to get the right experience for the job you want, how to start a design business, how to move through the industry with savvy, and answer any other questions they might have. i’m also hoping to pair them up with larger studios and print shops they can tour, job shadow, and line them up with school-approved internship opportunities. nobody ever came to my high school to talk about graphic design [and if they had, i’d have been in french class and missed the talk entirely], so if kids are actually interested enough to take 3 levels of design before college, i’m happy to help empower them to follow it through to a healthy, happy career.
if you’re in LA and you’re not a member of the LA chamber but still want to participate, note that the pillar program is not limited to chamber members. there are all kinds of opportunities to get involved and help educate, mentor or provide internships for students. contact pillar directly to participate!
since pretty much every month has a big holiday at the end of it until 2010, colleen & heather’s monthly west side biznik happy hour at jerry’s in marina del rey, is happening mid-month through the end of the year. come out: wednesday, september 16, 2009 from 5:30-8:00pm.
if you’re not a biznik member, join up using this invite link. it’s FREE to join, and it’s FUN to meet other indie pros around town.
before i ran my own practice, i probably would have laughed at anyone who told me how much networking i’d be doing, and how much i’d enjoy it. i used to think of it as something i had to make time for, or something i regretted not doing when it came time to move from one job to another. sure, it’s something i do for business, but if you do it right you make a lot of friends. and then you have margaritas!
the creative freelancer conference stressed to us that we’re not competitors, but co-workers. even in leaner times like these, there is enough work for everyone. i prefer to see us all as choices, a client could choose me, or one of my colleagues, and they do so for a reason that is not about us competing because we don’t offer the same thing. addressing this upfront brought the level of camaraderie way up, and allowed a lot of us to talk in-depth about our experiences in business, with clients, in times of challenge and success.
once we all got honest and brave and started asking the revealing questions, this theme emerged that i hadn’t noticed before: creatives are highly empathic people. we can take on your stories, information and motivations, consider them carefully, and spin them into communication vehicles that become far more than the sum of their parts. but there’s this fine line between being empathetic with communication efforts, and taking on client concerns to the degree that we compromise the quality of our work with compromised time & budgetary resources. my overall takeaway about creative personality disorder is that we have to put our abilities to wrap our heads around our clients in check when it comes to business negotiations and set realistic limits so we don’t end up over-committed & under-compensated.
on the upside though, creative personality disorder leaves you with a room full of really awesome, funny, quirky, highly social people who aren’t around this many other people like us nearly often enough. i was networking before i got there, rooming with beth goldfarb which has turned out a great new friendship with a fantastically talented colleague. i think we met our first conference buddies in the hallway on the way in. everyone was itching to say hi & see each other’s business cards and connect, it was so exciting to meet everyone, share laughs & design hugs. this lunch, pictured above, was a group of 12 people who had to split into 3 tables. the 3 designers i sat with all have uniquely beautiful work [go see for yourself], but more than that, they’re super nice people [and their clients have a lot to say about how much they love working with them].
which brings me to the session on networking—socially & online, that is:
the astoundingly simple secrets to making social media work for you with colleen wainwright
i’ll admit right off the bat that i’ve seen this talk twice and i didn’t take notes this time around. wainwright is a veritable portal to so many fantastic sources of information, i honestly preferred to watch her talk than write things about it. i’m lucky and i see her often enough that many of these things have become conversation topics rather than bullets in a talk, so i encourage you do to the same. reach out to her, talk to her—hire her to help you figure out your marketing strategy! in the meantime, i’ll do my best to give you the goods:
– social media online is a new way to network with a much bigger pool of people than would be sustainable without the internet.
– online networking is all in how you use it. choose your voice first, then create a consistent presence online.
– be useful, be specific, be nice: talk about relevant things directly to your audience in a supportive, helpful way.
– create a manageable list of networking sites you can commit to regularly maintaining.
– don’t be afraid that it’s a time-suck: you determine your level of involvement.
– if you feel overwhelmed, lurk awhile before jumping in. when you feel comfortable, start participating.
– approach participation from a place of support. post helpful info, offer to connect people you think would like to meet.
– speaking of awesome, go read these free reports by chris guillebeau and consider his call to “be awesome.”
– and check out chris brogan and his book, trust agents.
if you need some cold-hard facts about social media and the effect & reach it has, this video sums it up nicely:
probably the main reason a lot of us came to the creative freelancer conference last week was to talk about clients! for solopreneurs, every client is different and a big part of our job is reading them and interacting with a variety of personalities. the sessions on presentations and client-wrangling had me taking lots of notes and laughing in acknowledgment.
effective presentations for creative solopreneurs with darryl salerno
above and beyond the givens about speaking clearly and making eye-contact [though those are no less important], salerno approached his talk from the position of knowing the personality types of your decision-makers and tailoring your presentations to work with how they best deal with information. he breaks them down thusly:
– the thinker: content-driven, logical, likes facts & data. give them organized information with references.
– the feeler: interactive, perceptive, experience-driven. talk about impact, context, build rapport with them.
– the intuitor: theoretical, conceptual, likes the big picture. focus on uniqueness, global & future impact.
– the sensor: perfectionist, impatient, likes actionable steps. start with conclusions first, be the problem-solver, keep it brief.
once you have your audience figured out, keep these things in mind when creating your presentations:
– your presentation is about them, their concerns, needs, company & situation.
– it’s not what you say, it’s what they hear: choose your words carefully.
– use storytelling that is relevant, authentic, and connective.
– use humor as a bonding agent between you and your audience.
– ask questions periodically to keep your audience engaged; offer Q&A to relate to individuals directly.
– order your topical progression: an inital situation > business objectives that address the situation > communications objectives that support the business objectives > and strategies of how these objectives will address the initial situation—bring it back around.
– follow the 3 P’s of presenting: prepare, practice, perform!
dealing with nightmare clients with michelle goodman
after taking time to collectively commiserate about some of our less-favored past clients, goodman took the anti-victim stance that working with difficult clients isn’t about them—it’s about you! people are who they are, but it’s up to us to know ourselves, clearly define our policies, and make conscious choices about working with the best clients for us. in the meantime, there are strategies for dealing with some of the more challenging personalities out there before anything truly unfortunate happens:
– add a “how i work” page to your web site [i have a process outline here]
– set up an in-depth discovery meeting before a project starts to explore good fit and identify specific goals.
– set limits on preliminary time and travel before projects start.
– set expectations by defining scope, naming a project manager, and checking in at regular milestones.
– separate the serious clients from those who are less committed by instituting a non-refundable deposit or a cancellation policy so you can concentrate on those who are ready to work.
– address your policy on revisions and provide info on how to keep them to a minimum before the project starts.
– research potential clients ahead of time, conduct a credit check if it’s a particularly big project with a new client.
– make friends with someone in accounting [this can get you a lot farther than you think!].
if you do find yourself at odds with a client that comes to a financial disconnect, and you know you’re in the right, use the resources available to you:
– stop & withhold unfinished work
– look into collections & small claims and decide which is best for the situation in question.
– report them to the better business bureau or industry-specific watchdog association.
the first 2 thursday morning sessions of the creative freelancer conference dealt with the business-end of design: taxes and proposals. creatives notoriously struggle with balancing out the finer points of paperwork in our lives, so these sessions are a great mix of new & innovative information as well as cheerleading to keep us all on the right path.
money-saving tax solutions for creatives with june walker
walker started off the morning sessions with a lot of helpful tax advice, first and foremost that creatives have a specific set of concerns with our businesses and it’s important to work with a tax professional who understands how the law best applies to us. rather than give a run-down of standard deductions, she explained how some deductions can be interpreted differently in various situations, and dispelled some common misunderstandings of tax law. her book, self-employed tax solutions is a great value and comes highly recommended as a definitive reference guide for self-employed creatives.
the essential rules for writing and presenting proposals with peleg top
if you find yourself spending too much time crafting proposals that don’t necessarily get you the work you want, it’s time to take a better look at your marketing process and redefine how a proposal can work within it. top offers the 3 elements in an effective sales cycle to work toward using your proposal as a recap of a sales meeting rather than using it as a selling tool: put a strong brand for your business in place, operate a well-oiled marketing machine to attract ideal clients, and have the right conversation with potential clients:
– ask how they chose your firm and how they define their challenge as well as a successful solution.
– ask them to define their market, goals & objectives, and what models they’re using.
– ask where they are in the buying process, speak to the decision-makers and ask how their process works.
– ask what kind of research has been done and will it be available to you.
– ask what level of involvement they want from you: strategy or execution?
– based on these criteria, ask about the 2 most critical resources allocated: timeline and budget. talk about both and agree upon realistic solutions in person!
once you get your potential client to this point, the proposal itself should be a recap of the discussion as a project scope, timeline, list of deliverables and cost estimate. the support info you include should be boilerplate copy you have on file, including terms & conditions, and information about the design team. this system should change how you approach proposals and minimize the time you spend preparing them. always present in person, and stay in touch with clients who are still on the fence—they may just need more time to decide. once they do, get a signed contract and a deposit check—and get to work!
this month’s taste of echo park benefiting the echo park chamber of commerce was held at CitySipLA, my very favorite neighborhood wine bar in echo park. i can’t say enough about how much i love this establishment and how it’s run by owner & wine enthusiast nicole daddio [pictured with me, above]. everyone on her staff is not only friendly, but knowledgeable and excited to tell you about wine. on more than one occasion i’ve been able to ask daddio about wineries to visit in our surrounding wine countries and she always has great suggestions of places i’ve never been. i really enjoy their sunday night happy hour, where you can get any glass from an open bottle for half-off from 9-11pm—a great way to taste wines you may have passed up on another night.
for the taste of echo park, CitySipLA offered a wine flight of 3 international wines that were all really unique:
heron’s nest chardonnay 2008 [s. africa]. i’m not usually a fan of most chardonnay, but sometimes an unusual terroir can really change what comes out in the wine. this one was lighter than almost any chardonnay i’ve ever tasted and was pleasantly bright and fruity.
mas malbec mendoza 2007 [argentina]. this malbec was lively and spicy with a rounded balance of blackberry and pepper with a note of tobacco in the finish.
maison galhaud merlot [vin de pays d’oc]. the first thing i noticed was the color—for a merlot, this wine was an exceptional bright cherry red even in candlelight. notably smooth mouthfeel highlighting a red berry blend of flavors.