creative inspiration


levi’s shares a video behind the scenes of letterpress, screen printing and block printing.

speaking of print design, how magazine reprinted part of a study by appleton coated on how print design is still a very valuable selling tool because clients and consumers love interacting with stunning print design pieces. but hey, you already knew that, right? the new ROI.

if you’ve done some of this outstanding print design, check out some upcoming design award deadlines: call for entries: HOW design awards

need one last print design fix? these central park wedding invites featured on design sponge are a great use of a 2-color palette. bonus points for creating a map—who doesn’t love a good, personalized map!?

branding

YMCA rebranding
[image: underconsideration.com / YMCA]
underconsideration.com reviews YMCA rebranding: my name is Y… the Y. the main mark in red & purple is nice, but i love that they are using multiple color iterations of the logo! i also like the sporty new look.

people for bikes
[image: fastcodesign.com
finally, bike branding moves beyond hipster-ghetto takes a look at the people for bikes campaign by colle+mcvoy. simply put, it’s an organization to improve the future of biking through various actions on local & national levels. the branding for these efforts is friendly, accessible and engaging. check out some of the print ads, i love the one of the woman with a gear print on her leg.

posters

know your rights
[image: fastcodesign.com]
if you’ve been looking for ways to use your design skills for positive propaganda, fastcodesign.com offers promoting social justice one poster at a time, showcasing the center for urban pedagogy. their mission statement has all kinds of inspiring language, and is worth reading in its entirety, but if you’re pressed for time, here’s a snip: Our work grows from a belief that the power of imagination is central to the practice of democracy, and that the work of governing must engage the dreams and visions of citizens. CUP believes in the legibility of the world around us.

design industry

brand new announces its first 1-day conference! if you’re a fan of underconsideration.com and you can swing by new york city at the beginning of november, they’ve got a jam-packed 11 hours for you. they’ve also got a bunch of different ways to attend, so if you’d rather watch a live webcast, you can!

what is the last thing you do before you launch a website? from smashing magazine is a really cute, informal quiz you can give yourself about your reactions to presenting final work and a brief analysis about what this says about your personality.

another from smashing magazine, renegotiating the final contract (and other tales of horror). here’s some great advice for how to handle things when you find yourself doing work that’s outgrown its governing agreement.

creative inspiration

illustration

lab partners for monocle magazine
[image: lab partners]
from the farmlands, through the cities, to the sea! this illustration by lab partners is an amazing perspective on landscapes. thanks designworklife.com for the link.

photography

david hiser for documerica
[image: david hiser]
an amazing find shared on the how design blog: images of the 70s. the documerica project, commissioned by the EPA, hired freelance photographers to capture images relating to environmental problems. quite an outstanding collection!

typography

alto font
[image: fontshop.com]
if you’re looking for some great sans serif typefaces that work well in a variety of layouts and styles, check out thefontshop.com’s fundamentals: workhorse sans serifs for a great list with examples in action.

posters

sleepers & coal by adam hill
[image: adam hill]
thanks to fudgegraphics.com for showcasing this outstanding work by adam hill in their for your inspiration monday feature. this selection of gig posters shown have some really awesome type treatments and uses, along with his uniquely stylized illustrations.

design industry

a couple from aiga, did you know they’re expanding the resource center to add useful things like the aiga center for practice management, aiming to support all aspects of the business side of graphic design? it’s true! all those questions you might have about rates, legal issues, financial planning, and project management can be found in this public resrouce for best practices. another fantastic aiga development just released is the living principles, helping designers move toward the creation of work that is environmentally, culturally & socially sustainable.. their mission statement: The Living Principles for Design aim to guide purposeful action, celebrating and popularizing the efforts of those who use design thinking to create positive cultural change.

creative inspiration

http://vimeo.com/moogaloop.swf?clip_id=11443824&server=vimeo.com&show_title=1&show_byline=1&show_portrait=0&color=&fullscreen=1

Oceans from Sol Linero on Vimeo [thanks to designworklife.com for the link].

sports

fifa world cup logos
[image: logoblog.org]
there are some great retrospectives on fifa world cup logos and posters online. fifa world cup logo evolution: 1934-2014, from logoblog.org has some great archives, as does an older post, fifa world cup logo designs, from logodesignlove.com. it’s so cool to see some of the early stuff from the 30s-50s!

typography

open type features
[image: martin plus for ilovetypography.com]
for the type designers out there, an introduction to opentype substitution features will show you how to make all those cool ligatures and custom-set type combos you might want to add to your typeface design.

if you’re in new york [or willing to travel] and want to learn typeface design, H&FJ’s sara soskolne will be teaching turning letters into type july 12-16: learning typeface design.

web design

applying interior design principles to the web from smashingmagazine.com talks about how the same principles of arranging physical objects relates to the placement and use of graphic objects, with a great breakdown of each.

creativity

jazz brain: functional magnetic resonance imaging is a quick report from utne.com about brain behavior during times of innovative creativity. Limb had jazz musicians play memorized music while being monitored by an fMRI machine. He then asked them to start improvising and noticed a shift in neurological activity. Their scans showed less activity in the areas that represent self-censoring and inhibition and more in the area that indicates self-expression. Limb interpreted this shift as a possible sign of “spontaneous creativity.”

event calendar: june 21 – 27, 2010

it’s the summer solstice today! happy longest day of the year!

here’s what i’ll be doing

tuesday, june 22, 7:30am LA area chamber referral breakfast checking in with my LA area chamber network. FREE to chamber members or free as a guest of a member.

wednesday, june 23, 7:30-9pm 3×3: the long strange journey of a graphic design career featuring sean adams, tom devine and terry lee stone at art center.

other events for this week

saturday, june 26, 7-10pm deLab’s city listening II: stories about los angeles Join design east of La Brea for an evening of free expression and generous libation in celebration of LA’s design culture at large.

creative inspiration

design history

see america vintage u.s. parks posters
[image: travel.nationalgeographic.com]

this collection from the archives of national geographic of vintage US parks posters are stunning and inspirational specimens of illustration and design. don’t forget to take a spin through the vintage national parks photos while you’re there. thanks boingboing for the link!

vintage mens adventure magazines
[image: artofmanliness.com]
refresh your beverage and get comfortable, this collection of vintage mens adventure magazines from art of manliness is entirely too awesome to pass up or rush through. i might have to buy the book.

another one from the history blogs, <a href="smashing magazine presents 100 years of propaganda: the good, the bad, and the ugly

design industry

werner heisenberg by shannon may
[image: shannon may]
i love art and i love science, so when they come together in exciting ways, it makes me super happy. design sponge shared these awesome illustrations by shannon may this week, and i am loving her web site. even her logo has a cute illustrated diagram worked in. fantastic!

how magazine has some great follow-up blog posts now that the how conference is over. and we’re back is a nice first look at what went down. more how conference love has a little more collected from around the web, some speaker presentations and such.

looking into a summer internship? how magazine has a great article on getting the most out of it: advice for prospective interns. for another perspective on interns, design sponge biz ladies column features hiring interns this week.

need resources to save time and be efficient in your workday? freelance switch offers this collection of cool things you might need: top 3 productivity articles from workawesome.

have a facebook page for your business? not sure what you can add easily that will enhance your presence there? my colleagues over at pi design have some suggestions: jazz up your company facebook page.

education

GOOD's guide to education innovation
[image: meg paradise]
run over to GOOD’s guide to education and check out all their amazing programs, illustrated with these playful & fun pieces by meg paradise of parliament of owls. look at all their portfolios while you’re there, they all do amazing work.

sports

if you can’t get enough of the world cup, take a look at what designey things are happening at tinyhaus and their piece for nike!

ford mustang

ford mustang from motorbooks international

from the motorbooks division of quayside publishing comes ford mustang by brad bowling, a retrospective on every release of the mustang line since its debut in 1964. this book is full of beautiful photography celebrating car design, and for someone like me, who only has superficial knowledge of the history of the mustang, it’s allowed me to pick out many iterations of the car on the road now.

event calendar: june 14 – 20, 2010

it’s get to work week after all that conference action. happy father’s day to all the dads this sunday!

here’s what i’ll be doing

tuesday, june 15, 7pm the page, an interactive exhibit of artists’ books FREE! Curated by Karin Lanzoni and Rachelle W. Chuang, the artist’s book is a little known creative genre in which an artist presents his or her ideas in the form of a book. For this survey exhibition, thirty-three artists from a broad range of studio art practices were asked to submit one page (as they define it) from one of their own artist’s books to mount on the walls of the gallery.

saturday, june 19, 8:30pm resonance FREE at betalevel featuring ok music, zotalayer, and sublamp.

sunday, june 20, 6-7:30pm you should judge a book by its cover $5 at UCB LA. NYC-based graphic designer and comedian Patrick Borelli presents YOU SHOULD JUDGE A BOOK BY ITS COVER, a one-man multimedia show where he takes thirty of the oddest book covers and tears them a new one. The show also features videos of interviews Patrick conducted with Steven Heller, Chip Kidd and Rodrigo Corral.

other events for this week

tuesday, june 15, 7:30-9pm jeremy mende, mende design at art center. FREE!

wednesday, june 16, 7-9:30pm an evening with si scott at ucla.

thursday, june 17, 6-9pm aiga student portfolio review night at the bistro at the art institute of california, FREE with rsvp!

friday, june 18, 10am–2pm the art institute of california, los angeles, graduate portfolio show at the sheraton delfina, free for employers with an employer luncheon.

HOW conference 2010, day 3

big blue bear, convention center, denver, colorado
[photo: ©larsonmirek on flickr]

[recap day 1 and day 2 of the HOW conference]

we’re in the home stretch! at this point i was really exhausted—but it’s back to the convention center for the final wrap up on HOW 2010!

designing the future, dodging the vectors

i’m always interested in what the aiga is up to, and wanted to hear what richard grefé would talk about as their new direction. i have to admit, this presentation went by too quickly for me to keep up with the notes, but grefé talked about how design has changed from simply executing on creative direction, to strategic thinking. his idea of dodging the vectors is about the fact that traditions in design practices have become the vectors we most often follow, and it’s time to divert from those in order to evolve the industry, both in practicing differently and teaching it differently. we start as makers of artifacts, and evolve into designers of higher concepts and more interdisciplinary hybrid intangibles. similarly, the global landscape has changed, and since american culture is received less openly, we have to change how we appeal to the rest of the world. aiga will adapt to these changes by investing in the new generation of designers, meeting people where they are, recognizing that social responsibility counts and that institutional authority is no longer valid. interesting points, i’m going to have to download his presentation to recreate the full picture. i couldn’t write fast enough!

rediscovering play: bringing fun and passion to your work…and life

kevin carroll, closing keynote at HOW 2010
[photo: ©larsonmirek on flickr]

kevin carroll was a very inspiring closing keynote for the conference. while he talked about play as a universally important aspect of human culture, my takeaway was that he connected with something he felt passionately about and made it his life’s work, working with ann willoughby to make his ideas accessible in a few forms of media. but above all, his message was to find play and connect with our need to play as an uplifting social exercise. i really enjoyed his style.

wrap-up

overall i really enjoyed my first HOW conference. there were so many amazing people here with so much to share, even advice that may have seemed obvious was re-framed in new contexts as food for thought. there was so much good programming that it was hard to narrow the choices down for concurrent sessions.

that said, i do have a few critiques
first, a lot of the sessions were named something a bit misleading. the session titled killer copy was not about crafting killer copy, it was about creating clear content. three word taglines was not about branding practices so much as changing process and approach. i started to wonder how many other sessions i passed over due to the title [and description] that would have been interesting to me. second, a lot of these presentations are too portfolio showcase-heavy. i remember a time when i might have been more curious what artifacts these designers were producing, but currently i’m a lot more interested in their process and style than having half [or sometimes all] of a presentation be a portfolio show. this is probably due to how online portfolios have become so available remotely, but what i want to see & hear these days is more about how you think rather than what you made. third, the exhibition floor should be open a little more often. it seemed like it was only open during the breaks, and i get that, but a conference like this is so back-to-back that we need lunch breaks outside. the only time the floor was open was when it was flooded with people, and as such, i never got a chance to walk & talk with vendors. they paid for those booths, give them some quality time with attendees, not just a swag-fest.

getting respect is a 2-way street
another thing i noticed in a big way due to the nature of CFC and HOW happening back to back is the difference of the attitude toward design between business owners & independent professionals like myself and in-house designers. in both arenas there is a lot of talk about how to communicate the value of design, how to convince our clients and bosses that design is a priority not to be overlooked. at CFC we talk about strategic thinking v. simple execution on directives. we talk about knowing the value of what we produce, creating a fantastic experience for our clients, and charging accordingly. and we talk to each other about how we plan to do this, things we have done that work, evidence that we have converted clients to believers because they see the return on their investments. this was also discussed at HOW, but when i’d talk to attendees, i also heard in-house designers talking about working on the side for rates that could never support an independent practice, doing branding work on an hourly rate with no value add commensurate to the service, or working to justify the value of design to the higher-ups and then turning around to pressure their contract designer to do extra work for free. when david berman challenged designers to do 5 hours of work per week for a cause, i heard grumbling along the lines of …but how do you pay the bills? when i related some of brian dougherty’s sustainable best practices to someone i met, the response was but how do you get clients to pay for it? this was disheartening, but it’s no surprise to me that getting respect in this industry is so hard when so many people are willing to sell it out in one way or another, or come to the most simple, somewhat-cop-out answer. there’s an inherent flaw in trying to sell your clients and bosses on the value of ideas if you’re selling logos on the side at production rates. to be valued in the way we say we’d like to be at these conferences, we all have to bring professionalism and respect to everything we do, in all areas of our practice. we all have to live this message more so we can talk about it less.

HOW conference 2010, day 2

HOW conference 2010 exhibition floor
[photo: http://www.neenahpaperblog.com]

[recap day 1 of the HOW conference here]

how can we use design to influence positive change?

this breakfast with kit hinrichs was a late addition of interest to me. hinrichs started off by showing some of his work relevant to the topic, and then introduced his senior designer, maurice woods, to present on his labor of love the inneract project, where he offers free design classes to creative kids and teaches the concepts of creative problem solving. woods shared some pretty outstanding work from this program, which grew from a few interested students to a thriving classroom of engaged kids, bringing design to their personal passions. this program has a host of sponsors, including sappi paper, who handed out a cool booklet on creating positive change afterwards.

visual storytelling: resonate and activate audiences

i was interested this presentation by nancy duarte since i’m considering doing some speaking in the future. her talk was hands-down rockin’—and it should be, because she’s been in the business more than 20 years. too many presentations are about the presenter and not about helping the audience. duarte talked about deciding who your audience is when they walk in, and who you want them to be when they walk out. creating a presentation without an audience in mind is like writing a love letter that starts ‘to whom it may concern.’ duarte talked about contrasting between what is and what could be, take your audience back and forth between the two, using storytelling to talk about transformation. she had a fascinating way of telling her own story to illustrate this, starting out as a slide design company, moving through the transformation to powerpoint, and facing competition from abroad in a global marketplace, she had to transform her own business to remain competitive. she also talked about mapping out some of the most famous and poignant speeches in history, and formulating her own for presentations that have the most impact. using contrast as a structure, add a veil of emotional appeal in each transition to connect the audience to the story. use different media and try to illustrate points a few different ways. every presentation needs a star minute that everyone will remember. finally, deliver profound experiences, be the authentic you.

evolve: the future of sustainable design

this presentation by brian dougherty was just what i was looking for: something that goes beyond using recyclable paper. dougherty described that as the formative years of green design, and said he wanted to push it further: there must be better options than green & leaves or sustainability as a movement will hit a dead end. over time, green design has become about designing for outcomes. if you look at green design as a vehicle for changing behavior, design for change is your job. in order to do this, we need to make green design accessible, consider it part of a whole system that uses best practices, and give tools that enable the right actions. dougherty talked about his concept of designing backwards, considering the final resting place of the piece before creating it. if we don’t want it in the trash, we must design it to be used or recycled; if we want it recycled we must make it easy to de-ink; if we want to waste less, consider a package that uses as much of the sheet as possible to avoid throwing out unused materials. take these concepts up the chain, talk to vendors, find out about materials and processes and think about how best to use them.

three. word. taglines. [and other horrible branding practices]

tate linded at HOW 2010
[photo: http://www.neenahpaperblog.com]

as a branding specialist, i was curious about what tate linden had to say about branding practices. he ended up talking less about the practices themselves and more about developing a process that breaks out of “the written rules” of how traditional business has been done, and gave examples of how he wrote his own. the client is best qualified to open up insight into what they think their brand means. it’s up to you to add value. some of his practices include exploring all avenues before choosing one [rather than downplaying the alternatives to the client or allowing consensus to water-down concepts], always working directly with the decision-maker on every project, and knowing your target and going after their motives. some of the brand practices he cautioned us to avoid: company names that are acronyms, three word taglines that aren’t a call to action.

neenah white party

heather parlato & beth goldfarb at the neenah white party
[photo: neenah paper]

after all that action was over, we had a break for a couple hours before the white party. we took our time having dinner and then dressed up in our white outfits. i assembled a paper dress of tissue and outdated paper swatch books, because “it seemed like a good idea at the time” and “i am nuts.” beth made that awesome tissue flower for me, it really ties the whole ensemble together!

[continue with day 3 of the HOW conference here]